The University of Michigan Detroit Observatory:
"The recipe for the stucco finish of many of the University buildings, including the Detroit Observatory, the four professors' houses, and the North and South College buildings, as well as other Ann Arbor buildings, such as the Lund house on Pontiac Trail, can be found in Dr. Chase's Recipes; or Information for Everybody. This book, published in Ann Arbor, was an international best-seller for several decades. The recipe can also be found on page 102 and 103 in A Creation of His Own: Tappan's Detroit Observatory, by Patricia S. Whitesell.
The fascinating recipe in its full detail follows:
First make up as much mortar as you need for the job, with good common lime; using only 3/4 or four-fifths, at most, as much lime as needed for common work--the other fourth or fifth is to be water lime; and not to be put in only as used. The sand must be course and free from loam or dirt.
To prepare the white colored washes, run off common lime enough with hot water, to make a white-wash to go over the whole job. This white-wash is to be colored the tint desired for the work. Be sure to make color-wash enough at one time, or you will find it hard to get the shades alike; saving a little of the white-wash without color, to pencil the seams, and also for specking, as mentioned below. The colors used are lamp-black, Spanish brown, or Venetian-red, as preferred, and these are cut or dissolved in whisky; then putting into the white-wash to suit.
When these washes are all prepared, wet up as much of the mortar as can be put on in 20 to 40 minutes, and mix in the fourth or fifth of cement, and put on as fast as possible; first wetting the wall very wet with water. Some cement will set in 20 and some in 40 to 50 minutes. When you see the time necessary for the kind you are using, act accordingly, and only mix the cement into as much mortar as your help will put on before it sets; beginning at the top of the wall with your scaffolding and working down, which prevents too much specking from the colors. Have a man follow right after with a float, keeping the stucco very wet while floating down level and smooth; and the longer it is floated and wet the better will be the job. Even after it is floated down well, keep a man wetting it with a brush until you get the whole line on, as the water-lime must be kept quite wet for some considerable time, to set properly.
Heed this caution, and if water never gets in behind the plastering from bad cornice or leaky roofs, it will never peel off. When this line of scaffolding is plastered, take out enough of the color-wash, running it through a sieve, and go over the plastering; lamp-black alone gives it a bluish-slate color; if a little of the brown is added with the black, it will be a little reddish, and if the red is used without the brown, it will be quite red.
I prefer sufficient of the black only to make a gray stone color. A brown, however, looks exceedingly well. If you choose, you can make one-half of the color-wash darker than the other--having laid it off into blocks resembling stone, by means of a straight-edge, and a piece of board about half an inch thick, paint every other block with the darker wash to represent different shades of stone. Some of our best buildings are done this way and look well.
Then to give it a granite appearance; take a small paintbrush and dip it into the white-wash, saved for this purpose; strike it across a hammer-handle so as to throw the specks from the brush upon the wall, then the same with black and red. Pencil the seams with the white-wash, which gives it the appearance of mortar, as in real stone-work.
Now you are ready to move down the scaffold, and go over the same thing as before. After the colors have been dissolved with spirits, they can be reduced with water, or what is better for them and the color-wash also, is skimmed-milk; and where milk is plenty, it ought to be used in place of water, for white-wash or color-washes, as it helps to resist the weather and prevents the colors from fading...
Speck quite freely with the white, then about half as much with the black, and then rather free again with the red. The proportion of lime, probably, should not exceed one, to six or seven of sand."